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Verses - Listening Session

Release:Listening Session
Listening Session
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Media:[Audio CD]
Released:2006 [ Listen to HHH from this era on Spotify ]
Recordlabel:Indie (Independant Release)
Info:The album is released 28th February, 2006.
Production by Tony Stone.

1. Yes, Yes, Y’all…
2. We Do It - featuring Tony Stone & Mark J
3. Funky Dividends
4. ConfusionUnion - featuring Braille
5. Fa La La
6. Ms. O’Ginny
7. Fatherless Child (Blues PSA)
8. Love Jawns - featuring Chloë
9. Kid Fresh Interlude
10. Cassette Tapes & Roller Skates - featuring Cult-Free & Verbs
11. Yoof Rally
12. We Do It (Radio Edit)
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Review:I am savoring this. Among the words rarely used in hip-hop reviews (or, really, in reviews for any type of music) include: chaste, restrained, socially responsible, and pious. Yeah, pious. While not quite on the level of Please-Hammer-Don’t-Hurt-‘Em-sparkling-parachute-pants-terra ced-sloping-hightop-“We’ve-Got-to-Pray-Just-to-Make-It-Today ”-era Hammer, Iowa MC Verse’s Listening Session makes Little Brother’s The Listening look like Too $hort’s Greatest Hits. Oh, and it sounds pretty good, too.

There are plenty of reasons not to like Verses’ work: he sounds uncannily like Kanye West (a fact not helped by his referencing “Jesus Walks”); the Little Brother parallels are strong (The Listening to the Listening Session?); his sing-songy flow cloaks his average rhyming ability (few of his bars will drop jaws); and in an age with our President sets his apocalyptic, paranoid agenda with the help of “prayer” (oh, to be a fly on the wall for those conversations), Verses rides hard for Christianity. I heard the same grumblings from some sectors about the last year’s Ohmega Watts album – too preachy, too Christian – but let’s be straight up about this: you can’t have your cake and eat it too. Complain all you want about the depravity of today’s music, but don’t indiscriminately hate on positive music because it offends your religious sensibilities, or lack thereof.

Few of the songs on the Listening Session pack the visceral punch of cuts like the aforementioned “Jesus Walks” and the Wu’s “Jah World”, but perhaps that’s for the better. Instead of spewing fire and brimstone, Verses approaches his subject matter with a casual, self-deprecating playfulness: in the course of dissecting the sexualization of advertising on “Ms. O’Ginny,” he recounts his inabilities to buy M&Ms without guiltily thinking about the flesh used to peddle them on the tube; on “Cassette Tapes & Roller Skates” he reflects on the joys of listening to old school hip-hop and, well, roller-skating (has T.I. made that cool? Do two make it a trend? Is the age of the skating rink/buffet/strip club upon us?).

Even when Verses tends to get too preachy (“Yoof Rally”), producer Tony Stone keeps the album on mission, combining airy, blustery tracks that evoke neo-New-York 9th (“We Do It”) with jazzier fare (the hitting album opener “Yes, Yes, Y’all”) and harder beats (the exotic, Tuvan “Fa La La” and the bluesy, moody “Fatherless Child”).An impressive showing for any producer, underground or major.

Throughout all of this, Verses pays respect to those MCs past and present who have provided intelligent, sincere music – the Wu Tang, KRS-One, the Roots – regardless of their personal persuasion. Recognizing wisdom and knowledge in all their different forms. That’s how to get off the soapbox and onto the boombox.

– T.M. Wolf
source: Okayplayer, added: Jul 07, 2006

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